LIVE NIRVANA Concert Chronology December 31, 1993 - Oakland-Alameda County Coliseum Arena, Oakland, CA, US

  • NIRVANA
    • Kurt Cobain (vocals, guitar)
    • Krist Novoselic (bass)
    • Dave Grohl (drums, backing vocals)
    • Pat Smear (guitar)
    • Lori Goldston (cello)
  • Bobcat Goldthwait (master of ceremonies)
  • Alex MacLeod (tour manager)
  • Jeff Mason (production manager)
  • Kelly Nase (tour accountant)
  • Susanne Sasic (lighting designer)
  • Craig Overbay (sound engineer)
  • Ian Beveridge (monitor engineer)
  • Jim Vincent (guitar technician)
  • John Duncan (guitar technician)
  • Earnie Bailey (guitar technician)
  • Mike Dalke (drum technician)
  • Ed Swink (stage manager)
  • Allan Bagley (Pro Show sound crew)
  • Tom Pfaeffle (Pro Show sound crew)
  • Niko Vonk (Pro Show sound crew)
  • Mike Lamb (LSD lighting crew)
  • Pat Connolly (LSD lighting crew)
  • Gary Vaspol (LSD lighting crew)
  • Bill Graham Presnts
    • Les Smith
    • Sherry Wasserman
    • Nigel James
Load In
09:00
Soundcheck
15:30
Doors
18:00
Chokebore Showtime
20:00
Butthole Surfers Showtime
20:45
NIRVANA Showtime
21:45
  1. No Info
  1. Radio Friendly Unit Shifter
  2. Drain You
  3. Breed
  4. Serve The Servants
  5. Come As You Are
  6. Smells Like Teen Spirit
  7. Sliver
  8. Dumb
  9. In Bloom
  10. About A Girl
  11. Lithium
  12. Pennyroyal Tea
  13. School
  14. Polly acoustic
  15. Frances Farmer Will Have Her Revenge On Seattle
  16. Milk It
  17. Rape Me
  18. Territorial Pissings
  19. Jesus Wants Me For A Sunbeam acoustic
  20. Where Did You Sleep Last Night? acoustic
  21. The Man Who Sold The World
  22. All Apologies
  23. Scentless Apprentice
  24. Heart-Shaped Box
  25. Blew
AUD #1a
Equipment:
Nakamichi CM-700's > Sony TCD-D3
Lowest Generation:
DAT(1) > FLAC
Length / Sound Quality:
107 min / 9.5
Notes:
The intro to "Radio Friendly Unit Shifter" cuts in.
More complete but lower quality than AUD #1b.
AUD #1b
Equipment:
Nakamichi CM-700's > Sony TCD-D3
Lowest Generation:
DAT(M) > FLAC
Length / Sound Quality:
107 min / 9.5
Notes:
The intro to "Radio Friendly Unit Shifter" cuts in but is more complete than AUD #1a.
Has cuts during the encore break and during the very end not present on AUD#1a.
Remastered.
AUD #2
Equipment:
Core Sound Binaural > Sony TCD-D7
Lowest Generation:
DAT(1) > FLAC
Length / Sound Quality:
105 min / 9.0
Notes:
Cuts off during the end noise.
AMT #1
Equipment:
Unknown > Unknown
Lowest Generation:
HI8(M) > DVD > MKV
Length / Sound Quality:
107 min / 8.5
Notes:
Amateur video, shot from centre left of the balcony.
Has a cut in "Radio Friendly Unit Shifter".
AMT #2 incomplete
Equipment:
Unknown > Unknown
Lowest Generation:
VHS(1) > DVDR
Length / Sound Quality:
102 min / 8.0
Notes:
Amateur video, shot from the centre of the balcony.
Missing "Milk It".
"Rape Me" cuts in.

It is not known if there are other sources.

  • During the opening noise of "Radio Friendly Unit Shifter," Kurt jammed on the guitar riff of Deep Purple's "Smoke On The Water."
  • Kurt stopped "Jesus Wants Me For A Sunbeam" to yell at a guy groping someone in the audience. The band then picked up the song where they left off. A few bars after resuming the song, Kurt stopped playing guitar and finished singing the song with the guitar lying on his lap.
  • No Info
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Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Unknown photographer Unknown photographer Unknown photographer Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Steve Jennings Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Steve Jennings Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Steve Jennings Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg Photo by Jay Blakesberg