LIVE NIRVANA Concert Chronology October 31, 1991 - Paramount Theatre, Seattle, WA, US

  • NIRVANA
    • Kurt Cobain (vocals, guitar)
    • Krist Novoselic (bass)
    • Dave Grohl (drums, backing vocals)
  • Nikki McClure (dancer)
  • Ian Dickson (dancer)
  • Monty Lee Wilkes (tour manager)
  • Craig Montgomery (sound engineer)
  • Myles Kennedy (monitor engineer & drum technician)
  • Nic Close (guitar technician)
  • Monqui Presents
    • Chris Monlux
Load In
…:…
Soundcheck
…:…
Doors
20:00
Bikini Kill Showtime
…:…
Mudhoney Showtime
…:…
NIRVANA Showtime
…:…
  1. Drain You
  2. Rape Me
  1. Jesus Wants Me For A Sunbeam
  2. Aneurysm
  3. Drain You
  4. School
  5. Floyd The Barber
  6. jam
  7. Smells Like Teen Spirit
  8. About A Girl
  9. Polly
  10. Breed
  11. Sliver
  12. Love Buzz
  13. Lithium
  14. Been A Son
  15. Negative Creep
  16. On A Plain
  17. Blew
  18. ENCORE
  19. Rape Me
  20. Territorial Pissings
  21. Endless, Nameless
AUD #1
Equipment:
Sonic Studios DSM-6P > Casio DA-R100
Lowest Generation:
DAT(M) > FLAC
Length / Sound Quality:
73 min / 9.0
Notes:
• Circulated in May 2007.
• Commonly mislabelled as Sonic Studios > Sony WM-D3.
• Does not include the soundcheck.
AUD #2
Equipment:
Sonic Studios DSM-6P > Sony TCD-D3
Lowest Generation:
DAT(M) > FLAC
Length / Sound Quality:
69 min / 8.0
Notes:
• Circulated in June 2005.
• Does not include the soundcheck.
AUD #3 incomplete
Equipment:
Unknown > Unknown
Lowest Generation:
ANA(1) > FLAC
Length / Sound Quality:
49:47 min / 6.0
Notes:
• Circulated in April 2017.
• Does not include the soundcheck.
• Missing everything before "Drain You", small cut in the banter between "School" and "Floyd The Barber", "Sliver" cuts in due to a tape flip and "Rape Me" cuts out.
AUD #4 incomplete
Equipment:
Sony ECM-909 > Sony WM-D6C
Lowest Generation:
ANA(M) > FLAC
Length / Sound Quality:
52:32 min / ?
Notes:
• Circulated on October 31st, 2023.
• Does not include the soundcheck.
• There are short volume drops in the left channel during "Aneurysm" and "Floyd The Barber".
• Missing everything after "Blew", which cuts out.
SBD #1a
Equipment:
Soundboard > Unknown
Lowest Generation:
ANA(1) > FLAC
Length / Sound Quality:
72:57 min / 9.5
Notes:
• Circulated in October 2021.
• More complete, but lower quality than SBD #1b, SBD #1c, SBD #1d, and SBD #1e.
• Wallace copied and pasted Kurt's chiming guitar to cover up a bum note on "Smells Like Teen Spirit".
• Does not include the soundcheck.
• Professionally mixed by Andy Wallace.
SBD #1b incomplete
Equipment:
Soundboard > Unknown
Lowest Generation:
Official Promo CD [Nevermind It's An Interview]
Length / Sound Quality:
20 min / 10
Notes:
• Less complete, but higher quality than SBD #1a.
• Includes only "About A Girl", "Aneurysm", "Drain You", "On A Plain", part of "Endless, Nameless", and "School".
• Has talking over the beginnings of all songs except "Drain You" and "On A Plain".
• Does not include the soundcheck.
• Professionally mixed by Andy Wallace.
SBD #1c incomplete
Equipment:
Soundboard > Unknown
Lowest Generation:
Official CD [Come As You Are]
Length / Sound Quality:
10 min / 10
Notes:
• Less complete, but higher quality than SBD #1a.
• Includes only "Drain You" and "School".
• Does not include the soundcheck.
• Professionally mixed by Andy Wallace.
SBD #1d incomplete
Equipment:
Soundboard > Unknown
Lowest Generation:
Official CD [Lithium]
Length / Sound Quality:
05 min / 10
Notes:
• Less complete, but higher quality than SBD #1a.
• Includes only "Been A Son".
• Does not include the soundcheck.
• Professionally mixed by Andy Wallace.
SBD #1e incomplete
Equipment:
Soundboard > Unknown
Lowest Generation:
Official CD [From The Muddy Banks Of The Wishkah]
Length / Sound Quality:
05 min / 10
Notes:
• Less complete, but higher quality than SBD #1a.
• Includes only "Negative Creep".
• Does not include the soundcheck.
• Professionally mixed by Andy Wallace.
• Side four of the vinyl version contains additional stage banter not present on this source.
PRO #1 incomplete
Equipment:
Soundboard > Unknown (16 mm)
Lowest Generation:
Official DVD/LD [Live! Tonight! Sold Out!!]
Length / Sound Quality:
15 min / 10
Notes:
• Has different camera angles from PRO #2, PRO #4, PRO #5, and PRO #6.
• Includes only "About A Girl", "Polly", "Breed", and parts of "Endless, Nameless".
• Five-camera PRO-shot video, featuring soundboard audio with audience mics mixed in.
• Does not include the soundcheck.
PRO #2 incomplete
Equipment:
Soundboard > Unknown (16 mm)
Lowest Generation:
VHS(2) > DVDR/VHS(2) > DVDR(1) > FLAC
Length / Sound Quality:
08 min / 9.5
Notes:
• In December 2008 it was discovered that the VHS(x) tape was in fact a second generation tape.
• Has different camera angles from PRO #1, PRO #5, and PRO #6.
• Includes only "Endless, Nameless".
• Multi-camera edit made from the professional five-camera masters with soundboard audio.
• Footage is in black and white and has special effects throughout, except during the quiet parts of the song.
• Includes some additional shots added in over the live video from other parts of the song.
• This was to be used as a music video, but was rejected.
• Does not include the soundcheck.
PRO #3 incomplete
Equipment:
Soundboard > Unknown (16 mm)
Lowest Generation:
Official DVD [With The Lights Out]
Length / Sound Quality:
05 min / 9.5
Notes:
• Has different camera angles from PRO #5 and PRO #6.
• Includes only "Jesus Wants Me For A Sunbeam".
• Two-camera PRO-shot edit made from the fix-camera masters, featuring soundboard audio with audience mics mixed in.
• Does not include the soundcheck.
PRO #4 incomplete
Equipment:
Soundboard > Unknown (16 mm)
Lowest Generation:
Master > FLV
Length / Sound Quality:
05 min / 10
Notes:
• Has different camera angles from PRO #5 and PRO #6.
• Includes only "Smells Like Teen Spirit", which has some special effects.
• Six-camera video with soundboard audio.
• Includes the five professional 16 mm angles along with black and white clips of the uncirculated Super 8 amateur video.
• Edited by Louis Marciano in November 1991, possibly for potential release as a music video.
• Circulating copies are sourced from an FLV video file posted on YouTube.
• Does not include the soundcheck.
PRO #5 incomplete
Equipment:
Soundboard > Unknown (16 mm)
Lowest Generation:
DTV > TS
Length / Sound Quality:
45 min / 10
Notes:
• Broadcast on VH1 and Palladia in September 2011.
• Has different camera angles from PRO #1, PRO #2, PRO #3, PRO #4, and PRO #6.
• Missing "Drain You", "School", "Floyd The Barber", the jam, "About A Girl", "Love Buzz", "Been A Son", "Negative Creep", and "Rape Me".
• Five-camera video with soundboard audio.
• Includes professionally remixed stereo audio and 5.1-channel audio by Nathaniel Kunkel, both done in 2011.
• Does not include the soundcheck.
PRO #6
Equipment:
Soundboard > Unknown (16 mm)
Lowest Generation:
Official Blu-ray Disc [Live At The Paramount]
Length / Sound Quality:
72 min / 10
Notes:
• Has different camera angles from PRO #1, PRO #2, PRO #3, PRO #4, and PRO #5.
• Five-camera video with soundboard audio.
• Includes professionally remixed stereo audio and 5.1-channel audio by Nathaniel Kunkel, both done in 2011 for this release.
• At least one instance of an out-of-tune instrument was fixed during the production of this audio mix.
• This is evident with Krist's bass during "About A Girl", which sounds noticeably out of tune on other circulating recordings of the show.
AMT CLIP #1 incomplete
Equipment:
Soundboard > Unknown
Lowest Generation:
VHS(1) > DVDR
Length / Sound Quality:
?? / ??
Notes:
• Silent clip of "Polly" broadcast on the "Nirvana Half An Hour".
PRO CLIP #7 incomplete
Equipment:
Unknown > Unknown
Lowest Generation:
Official Blu-ray Disc [Kurt Cobain - Montage of Heck]
Length / Sound Quality:
?? / ??
Notes:
• Includes clips of "Drain You" from the soundcheck overdubbed with audio from the night show.
AUD #5 incomplete

Missing everthing after "Breed".

AMT #1

It is rumored that the show was recorded.

AMT #2

The brother of the professional video's director shot some Super 8 footage from the audience.

  • The show was originally supposed to be at the Moore Theatre, but had to be moved to a larger venue.
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Unknown photographer
Photo by Karen Mason-Blair